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       Valentine 
        Demy plays Terry Jones [was this Joe D'Amato's salute to the Monty Python 
        member or just a coincidence?], a young woman who leaves her rural American 
        life behind - along with her boyfriend - to find success on Broadway. 
        This type of story is an attractive template for Joe D'Amato where his 
        characters aren't asked to grow emotionally, but rather to simply enjoy 
        an unfiltered natural progression to success. Their development is akin 
        to colorful fish in an aquarium swimming aimlessly and undirected yet 
        appearing to be strangely distinctive. That's Terry Jones. She soon finds 
        that her body brings her into contact with many facets of the show biz 
        lifeline. With little emotional effort [and lots of vapid physical exercising], 
        she can make it to the top. 
      Interestingly, 
        Terry Jones is not a very likable character. Sure, she's great to look 
        at. At this point in Valentine Demy's career, she was one of Europe's 
        most attractive starlets. But she had the tendency to play bitchy characters. 
        In this film, she is erratic, unreliable and even malicious. For example, 
        in the opening segment, when she says goodbye to her boyfriend at the 
        train station, Terry promises not to cheat on him. But that oath is quickly 
        forgotten even before she gets to NYC. As the film unspools, she lies 
        to her parents, turns on friends, and generally fucks over anybody who 
        can no longer help her. Yet, Terry survives - even thrives - for the conclusion. 
        Perhaps, that's ultimately D'Amato's message. 
      Cinematographer 
        Aristide Massaccesi changed his name to Joe D'Amato in 1973 (with LIVIA 
        VIRGIN FOR THE EMPIRE) and began a career which amassed almost 
        200 films. This one - conceptually a Grindhouse adaptation of Dirty 
        Dancing - is very similar to his other movies from this period 
        [WEB 
        OF DESIRE, 11 
        DAYS 11 NIGHTS, TOP 
        MODEL, WOMAN'S 
        SECRET and HOT 
        VOODOO AFTERNOON. Mr Massaccesi died from a heart attack in January 
        1999 at age 62. 
      Incidentally, 
        his muse Laura Gemser also appears here [uncredited] as the Massage Girl 
        who initiates the lesbian sequence with Ms Demy [see pic, top of page, 
        right]. 
               
         
                  
       
      An 
        Italian film 
        in English language, 88 min, 
        fullscreen, encoded for ALL REGION, playable on any American DVD machine. 
        Extras include selection of Joe D'Amato theatrical trailers. 
              
         
        Nudity/Strong Sexual Situations/Violence 
        Intended for Adult Audiences 
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