The 
          Most Reprehensible and Offensive Exploitation Film Ever Made! 
          Over-the-Top Violence 
          and Sleaze ... Too Mean-Spirited For Most Viewers! 
            
              
            
        also 
          known as INFERNAL RAPIST and RAPIST FROM HELL 
           
          director: Damián Acosta Esparza 
          starring: Noé Murayama · La Princesa Lea · Ana 
          Luisa Peluffo · Marisol Carvantes · Manuel 'Flaco' Inbanez  
         	
             
           	
      As the 
        film starts, notorious criminal Carlos 'El Gato' is executed in a prison 
        electric chair. Pronounced dead, he is left to stew in his juices while 
        all the authorities leave the room, giving the Devil [and her two buxom 
        sidekicks] an opportunity to materialize in the darkness. She approaches 
        Carlos with an offer he can't refuse... a new eternal life of pleasure 
        and excess. What must he do in exchange? Simple. Rape and kill everyone 
        he meets. And then [this is VERY important] give 
        honor to her by carving 666 into the flesh of the victim. A blood orgy 
        of violence, drugs and sex is put into motion, extending for the entire 
        length of the movie. It all begins [shockingly] with a homosexual rape'n'slaughter 
        and accelerates into some of the most misogynistic sexual violence ever 
        portrayed on the screen. 
      If it's 
        not obvious already, this film is NOT for everyone. 
        Quite the opposite, actually. But it's a must-see for fans of outrageous 
        exploitation. 
      A CLOSER 
        LOOK AT THE BACKGROUND DETAILS 
        Of course, one of the more surprising things about this movie is it comes 
        from Mexico, a country better known for rather conservative censorship 
        enforcement. However, this film manages to exist within a rather limited 
        period of "increased intellectual freedom in Mexico." This cultural 
        revolution began in the mid '70s under the presidency of Luis Echeverria 
        Alvarez when he appointed his brother Rodolfo as the head of the newly 
        formed, state-owned National Film Bank (giving the government a financial 
        stake in every movie produced in Mexico). "We now have the only nationalized 
        film industry in the world, giving the directors total freedom to do as 
        they like," said the left-wing president. 
      The studios 
        began producing movies - cautionarily, at first - that openly dealt with 
        previously taboo subjects, especially sex and violence. This cinematic 
        freedom continued for a decade until the election of Carlos de la Madrid, 
        a man who found himself overwhelmed by scandals and tragedies during his 
        presidency (1988- 94) [numerous political 
        assassinations, his brother's drug bust, election fraud, declining economy]. 
        In an attempt to boost his popularity, President de la Madrid rekindled 
        a severed relationship with the Catholic Church and began a crackdown 
        against excess in cinema. Grindhouse Mexploitation was banned by the mid 
        '90s.  
          
              
              	
      A Mexican 
        film in Spanish with optional English subtitles; fullscreen format, uncut 
        84 minutes, 
        DVD encoded for ALL REGION NTSC WORLD FORMAT. Extras include theatrical 
        trailer. 	
                    	
      Nudity/Strong 
        Sexual Themes/Rape/Drugs/ 
        Graphic Violence/Gore/Sexual Brutality 
        for Adult Audiences  	
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